Have You Heard about Copyright Office Changes?

The Register of Copyrights Bill (H.R. 1695 Register of Copyrights Selection and Accountability Act of 2017) had its second roll call in the Senate, moving it closer to reality.

Karyn Temple Cleggett

Currently, the Director (Register of Copyrights) Karen Temple Cleggett (acting) reports to the Librarian of Congress (Dr. Carla Hayden ), who has the authority to hire or fire anyone in the position. This bipartisan bill would remove the Register of Copyrights from the supervision of the Librarian. Instead, the job would be appointed by the president, serving for 10 years once confirmed by the senate.

Many professional creative groups support the bill. All are applauding the Library of Congress’s attempt to move into the 21st century by keeping up with the intellectual capitalism age – but I have a terrible feeling about politicizing intellectual property.

I don’t believe this is an attack on the first black woman Librarian of Congress or the first black woman Register of Copyrights. Allegedly, this bill has been in the works since 2013.  My concern is, will everyone be allowed to create freely, or will our work become “work for hire” to large corporations, preventing our heirs from earning royalties on our creative products.  Will this move eventually force creative entrepreneurs to lose ownership of their creations. Currently, this is not what’s up for the vote, but if “corporatists”  are in power. Who’s to say it won’t change an individual’s ability to protect their creations.

HR 1695 passed the house on April 26, 2017.  It is currently under review in the Senate.

Long on Words, Short on Time? Summon Your Inner Editor

Renowned feminist and social activist Bell Hooks once wrote:

No black woman writer in this culture can write “too much.” Indeed, no woman writer can write ‘too much’…No woman has ever written enough.” – remembered rapture, the writer at work,


When I saw that quote, it resonated with me on two fronts. Initially, I thought, “Tell it, Sister!  Our story needs to be told everywhere!”  Fist in the air emoji!  And then came the trigger. I’ve faced deadlines, knowing there were too many words on the screen with no conclusion in sight. The Six o’clock news anchor – with eyes on me waiting for my story to load into the teleprompter.

Meanwhile, my fingers poised over the keyboard, still wrestling with the germ of an idea for the story. Eventually, the story would manifest itself.  I would hit “Enter,” and we’d have another successful newscast.

This scenario appears to have a miraculous ending. Except, I left out the mental gymnastics I’d perform to transform the gathered information into a story. And how it allowed me to beat every deadline I’d faced during my five years in broadcast news.

In short, I had success because I’d “hear” phantom questions my news directors had asked, in the past, about my story elements.

  1. Consider the Audience (Receiver)
  2. Think about the message you want to send. (Subject/Theme)
  3. Consider the platform/publication (Perspective)
  4. Who is the protagonist(s)
  5. Conflict (What’s the problem?)
  6. Solution (How will they solve it.)
  7. Implement (Solution into practice)

I worked for three news directors during my time in radio and TV news.  All had great news instinct. They intuitively knew what trend would become newsworthy.  But only one of them taught me the truth about preparing stories for the broadcast news audience.

Today, every platform caters to a broadcast news audience. Every platform has the potential to stream live or taped like cable, television, or radio. Therefore, when considering your audience, the goal is to understand what they want.

When you get instant audience feedback, it’s easy to figure out what resonates with them.  If not, then we have tools to analyze audience viewing habits in real-time. So, from a blog post to a live news broadcast, you can tell what captures your audience’s attention.

I’m not sure how my former news director arrived at his observation, but he was correct when he said,

“the news audience wants a sexy and STEAMY broadcast.”

News Director

Sexy, i.e., provocative, speaks for itself. But here, the acronym STEAMY means
Share-WORTHY, Timely, Evocative, Alluring, Memorable, Youthful.

As a content producer, the goal is to write to a conclusion and have it make sense.  Producing content using the Sexy and STEAMY guidelines helps to put into focus the information you’ve gathered.

So, imagine, as a cub reporter, my first news assignment, was presenting a story that was far from sexy and STEAMY as could be.  It was a Sunday, and I had to cover a Catholic church closing somewhere in the Ohio Valley.

The conflict presented itself immediately. The parishioners were distraught at the thought of losing their church home.  The Roman Catholic diocese cited budgetary concerns for closing the neighborhood parish. It was a done deal. There was no compromise.

As a reporter, I knew I wasn’t supposed to choose any side. I could, however, pick a protagonist.  In news media, the protagonist isn’t good or bad. They are the major player in the story.  Initially, I thought the diocese was the protagonist. But once I gathered the information, I found the story was about the people. The parishioners decided after their final Mass at the closing parish, they would move on. Their solution to the closing was to not look back. 

So, the assignment started out as a jumbled heap of information filled with emotional upheaval and budgetary concerns. But it became a story of families on their journey to a new parish.

The platform, broadcast television, lent itself to evocative storytelling.  As I shared a message of the parish history and its community milestones, the parishioners shared photos, memorabilia on video. I then tagged (wrapped up) the story by revealing how the parishioners would implement the solution. Since their story was playing out on television, it ended with a video montage of the old parish.  And their beginnings, with a pilgrimage to the new parish.

So, there you have it.  If too many words on a page with no end in sight frightened you as it did me, consider summoning your inner editor. Then you can go forth and write too much. Just as Bell Hooks advised in The Writer at Work.

Content Producers


A writer is a storyteller who creates content that includes a plot (conflict). It has a beginning, middle, and ending.  The story can have six words or 60,000 in which the writer shares a message with her audience through the spoken or written word.

Ex. Something happened to a young woman, and if she’s going to return to normal, she’ll have to succeed at doing this grand thing, or she will never be whole again.

A journalist notices trends, the changes that occur and reports on them. The information, usually nonfiction, can contain as little as 45 words, especially if it’s for broadcast or more than 45,000 if it’s a book-length feature. The book reveals little known information regarding something such as a cause célèbre case.  The news report is usually unbiased. The journalist presents facts and evidence that allow the reader or viewer to decide.

Ex. Something is underfoot in Mudville, and while these small-town residents say this is A way of life, some believe all has changed. In this report, we’ll uncover what is happening, who they believe is most affected, and how officials are going to fix it, and when.

A commentator/editorialist shares opinions on current events, a cause célèbre et al.  Sometimes, the commentator puts a spin on the topic. Still, it doesn’t have to be as nefarious as propaganda; a spin can be a contrarian view. Or it can simply be another perspective not previously shared. One thing that all commentary has in common is bias.

Ex. The recent rash of activity in small-town, ANY COUNTRY, can only be the result of THE NUMBER of resources being used to favor one group over another. If it’s not stopped, there will be more, making things worse.

A philosopher observes, hypothesizes, and unpacks why the natural event, activity, or behavior occurs.  She usually contemplates the subject, studies it from various angles, and reviews the many topics that can arise from the issue. She then defends her completed study via peer review. The philosopher creates a new set of actions to be performed so that new behavior can result.

Ex. When a group of cReative workers are left to their own devices, a large business will fail. Therefore, to prevent innovation, it is best to establish a set of rules for everyone to follow without question.

Now, of course, we know these terms, but the social media age is causing “blurred lines.” Spread the word. Together, we can bring clarity to the writing sector.

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