Bridging the Generation Gap in Contemporary Writing

Sunday Funday at KAZE with DJ Prymtime, Cincinnati, OH

People of a certain age may remember “dinner and dancing” differently than depicted in this video. But when writing, if you’re aiming to stay true to the present, it’s important to remember how things are not how they were.

This post also serves as a note because I was stunned as I watched my daughter’s Instagram story on Sunday night. Then almost immediately, I was transported back to my days of dancing into the early morning hours at the Paradise Garage in New York City. I might have snacked on the fresh fruit that lined the bar top. But a full plate and dining utensils while dancing? No Way! Although this video may resonate with Generation Z and Millennials, dinner and dancing in the last century were more of a formal affair.

Then it hit me!

When I write fiction, most of what I write comes from the memories of my distant past. And that would be fine if I were writing historical fiction, but does it cut as a contemporary writer?

I haven’t consulted a trade book acquisition editor lately. Still, I suspect, as a modern writer, we must pull our readers into a world they’re currently experiencing and craft a tale there.

I’m sure successful contemporary writers already know this, but honestly, it was an aha moment for me.

Especially when we writers are instructed to write what we know.

But if we choose the commercial path, it might be better to write what we’re experiencing and bridge it with our memories.

Correct?

The last novel I read was the award-winning horror fiction, The Changeling by Victor Lavalle, and I must admit he masterfully wrote in the present. But it’s an allegory, a hardcore fairy tale with a foundation that rests comfortably in the past.

So, I think I get it now.  Maybe it finally clicked for me.

What do you think?

Currently Reading : Beautiful Wasps Having Sex

Have you ever watched a movie and noticed the main character is reading a book?  In the film X-Files: I Want to Believe (2008), Scully has at her bedside “Beautiful Wasps Having Sex” by Dori Carter. The fiction story has an intriguing premise – especially if you have wondered why movie studio execs would cast someone of European descent in a role that is about a person of color.

What’s more intriguing, the person (s) behind the film’s casting, bankrolling, and sometimes directing the flick is Jewish.

Well, that’s the back story of a screenwriter ” Frankie Jordan” a 40-year-old Jewish woman in Hollywood.

From inside the front cover jacket flap:

“Trying to discover why Hollywood attracts and rewards so many “little monsters,” she’s compelled to confront how Jews feel about themselves in a town that both loves and hates its own invention – the beautiful WASP.” Frankie ultimately comes to understand the forces that created Hollywood, Jonathan Prince, and herself.”

So far, it’s a good read. It’s not a “can’t put down” book. Nor is it Chic lit or Women’s fiction.  The author is a woman, a former screenwriter, and a television producer. So, “Beautiful Wasp Having Sex” is Slice of Life fiction that includes conflict and reveals the “truth” of Hollywood.

This is the second book on the reading list this year where the plot involves screenwriters, and the ‘reluctant’ protagonist is a woman.

The first book was Severed by VL Towler, and the protagonist is a black woman (Go here for discussion), and now this book by Dori Carter with a Jewish woman protagonist.

Please check back here for the book discussion “Beautiful Wasps Having Sex.”

Thank you for reading!